babel book review

Share full article

Supported by

Inside the best-seller list

R.F. Kuang Is Curious About Something …

The author of “Babel” likes to raise questions that bother her — ones she hopes will bother her readers too.

This is a picture of R.F. Kuang, who is wearing a black sweater and is posing against a turquoise background. She has a nose ring and is wearing a delicate gold necklace.

By Elisabeth Egan

At two different points during a 20-minute phone interview, R.F. Kuang used the word “annoying” to describe herself. First, the fantasy writer said, “I’m one of those annoying people who’s deeply influenced by the 2012 film adaptation of ‘Les Miz’”; later, she admitted that she was “the annoying friend who read a history of Marseille” on the way to a writing retreat in France.

“And then when we landed, I was like, ‘You guys know that it was the first Greek outpost in France?” Kuang laughed. “I’m unbearable.”

But she doesn’t come across as annoying or unbearable, just inquisitive. That spirit spills into her latest best-selling novel, “ Babel, ” which grapples with student revolutions, colonial resistance and, as Kuang puts it, the ways in which “translation and the acquisition of knowledge about various languages served as a tool of empire.” She went on, “When we think about the technologies of empire and colonialism, we usually think of guns and ships. But in what ways has the understanding of knowledge — or the knowledge of languages of people that are in colonized territories — enhanced or exacerbated the brutalities of colonial rule?”

Hearing this, it makes perfect sense that Kuang was an insatiable bookworm when she was growing up in Dallas. “I was really addicted to reading,” she said. “I had to read while I was eating or I would get bored. Even when I was in the bathroom I would reach for the shampoo bottles and read the back label just to have something to process.”

After her tour for “ Babel, ” Kuang returned to her second year as a Ph.D. student in the department of East Asian languages and literature at Yale. Now she’s gearing up for her next novel, “ Yellowface ,” which comes out in May. “Not to give away the plot twist,” Kuang said, “but it does deal a lot with underpaid, undervalued, entry-level employees in publishing, and how high the barrier of entry is for diverse editors, people in marketing and people in sales, to get through the door.”

She turned in a draft to HarperCollins before its union members went on strike in November. But in the lead-up to the dispute, Kuang said, she had many conversations with her publishing team, “especially the junior-level folk who were working on the book.” She heard “horror stories about how they’d been treated, about how they were paid, about how they’d been discriminated against, and all of that went into the book.” Kuang, who co-hosted a rally in support of the union, said it’s “ironic and sad” that “Yellowface” is teed up to enter the world while the strike is ongoing.

Elisabeth Egan is an editor at the Book Review and the author of “A Window Opens.”

Non-Fiction
Author’s Corner
Reader’s Corner
Writing Guide
Book Marketing Services
Write for us

Babel by R.F. Kuang

Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution

Publisher: Harper Voyager Genre: Fantasy, Historical Fiction First Publication: 2022 Language: English

Setting: England (1828); London, Oxford University, Oxford, Canton (China)

Characters: Robin Swift, Richard Lovell, Ramiz “Ramy” Rafi Mirza, Victoire Desgraves, Letitia “Letty” Price, Anthony Ribben, Griffin Lovell

Book Summary: Babel by R.F. Kuang

Traduttore, traditore : An act of translation is always an act of betrayal.

1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel.

Babel is the world’s center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.

For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide…

Can powerful institutions be changed from within, or does revolution always require violence?

Book Review: Babel by R.F. Kuang

When I picked up R.F. Kuang’s novel Babel, I knew I was in for something wildly ambitious and thought-provoking based on her previous work. But I was not prepared for just how seamlessly she would blend genres, nor how potent her layered commentary on language, power, and cultural identity would feel. This book is a tour de force of imagination and insight that has stuck in my brain for weeks after finishing it.

The story follows Robin Swift, a young orphan of Chinese descent who was raised in Britain after a cholera outbreak claimed his parents. He’s taken in by the mysterious Professor Richard Lovell, who grooms him from a young age to gain entry into the prestigious Royal Institute of Translation at Oxford – colloquially known as Babel. This isn’t just any elite academic institution, though. Babel is essentially an ivory tower dedicated to an arcane magical discipline called “silver-working.”

See, in Kuang’s beautifully rendered world, translation isn’t just about swapping words between languages. It’s about channeling the deeper intentional meanings and cultural contexts that inevitably get lost whenever ideas get transported across linguistic and cultural boundaries. The students at Babel learn to quite literally harness and manifest those lingering nuances and resonances through enchanted silver bars. It’s heady, metaphysical stuff – the idea that language itself contains primordial power and essence that can be shaped and controlled.

On that core premise alone, I was instantly captivated by the ingenious way Kuang makes translation feel sacred and magical. As someone who appreciates the complexities of communicating across cultures, I loved how she built an entire mystical discipline around honoring the subtle shades of meaning that words can never fully convey on their own. There’s something so profound about that central conceit.

But Babel isn’t just a clever magic system or extended metaphor about linguistics. No, Kuang uses this wonderfully imagined premise as a penetrating lens into the insidious dynamics of cultural hegemony and the bloody legacy of colonial empire-building. Because you see, the entire purpose of training silver-tongued linguists at Babel is to serve the interests of the burgeoning British Empire as it embarks on subjugating foreign lands and erasing native cultures.

From the moment Robin steps through Babel’s doors, there’s this gnawing sense of menace underlying the book’s lofty academic trappings. This isn’t merely a place of higher learning, but an indoctrination machine that perpetuates a cruelly oppressive mission – one Robin finds himself torn between as his studies progress. On one side, there’s the life of knowledge and privilege that Babel’s ranks offer an orphan of his standing. But on the other, there’s the sobering reality that embracing this path means betraying his ancestral homeland and perpetuating its marginalization.

Robin’s fraught identity struggles as a Chinese boy raised in Britain are captured so powerfully by Kuang. I was genuinely invested in his internal conflicts around assimilation, his feelings of alienation from both his adopted English heritage and his suppressed Chinese roots. His arc anchors the larger historical forces and layered philosophical themes in grounded, emotional substance. The pain, anger, and moral reckonings he grapples with gave me a visceral window into the psychic toll of having one’s identity and ancestral ties erased – both personally and on a civilizational scale.

Of course, Robin is just one part of an incredibly rich ensemble of characters that make Babel such a dense, engrossing read. I loved the moral grayness and clashing perspectives that Kuang imbues in every major player and faction. You’ve got Professor Lovell, Robin’s enigmatic and seemingly benevolent mentor whose underlying motivations constantly kept me guessing. There’s the firebrand revolutionary Ramy who believes only violent insurrection can topple the oppressive power structures upholding Babel’s mission. And the entire traditionalist establishment at Babel itself—those smug intellectuals cloaking their imperial arrogance in lofty rhetoric about promoting cross-cultural understanding.

One of Kuang’s biggest strengths as a writer is her refusal to take reductive stances or peddle in simplistic heroics. Even among the radicals and progressives ostensibly positioned as the moral counterweights to Babel’s sins, she avoids flattening them into dogmatic mouthpieces. Characters like Ramy, for all his righteous fury toward colonial injustice, still harbors his own forms of prejudice and arrogant certainties. The reformers seeking change from within Babel’s ranks have to wrestle with the ethical murkiness of incremental, compromised progress.

Nobody emerges unscathed or purely virtuous from Kuang’s searing psychological excavations of these competing worldviews and fraught personal stakes. Even the most noble-minded crusaders for justice often have to confront the uncomfortable truth that their hands aren’t clean either, that real-world activist movements are always messy confluences of clashing egos and contradictory methods and unintended destructive consequences. That level of nuanced, morally knotty character work is what elevates Babel from a fun magical romp into a probing, haunting meditation on the deepest existential quandaries undergirding social justice movements .

And while I’m gushing about Kuang’s skills, I have to highlight her masterful worldbuilding chops on display in this book. The historical backdrops she evokes—from the atmospheric textures of 1820s London to the mounting tensions of Britain’s imperialist overreach into China and the ensuing Opium Wars – are rendered in vivid, engrossing detail. Kuang clearly did an immense amount of research into this time period, seamlessly weaving in all kinds of cultural context and political maneuverings with a scholar’s nuanced grasp of the subject matter.

At times, I had to keep reminding myself that the central premise around Babel and silver-working was purely fictional – she makes this speculative world feel so plausible and viscerally grounded in the era’s messy realities of racism, exploitation, jockeying for global dominance, and the subjugation of entire peoples. There’s a level of palpable authenticity underlying even the most fantastical elements that enhances the philosophical weight of the overall narrative.

I was particularly blown away by how Kuang avoids flattening the complex historical power dynamics into a simple East-versus-West dichotomy. Within every faction and corner of her brilliantly realized world, there are fierce ideological divides, fragmented alliances, unexpected subversions of conventional roles. European characters harbor anti-imperial sentiments and wrestle with their own complicity, while Chinese characters grapple with tensions of modernity versus tradition. There’s a refreshing rejection of trying to reduce the tangled sociopolitical matrices of language, knowledge, and empire into simplistic oppositions or dogmatic allegiances.

Part of what makes Babel land so impactfully is how it doesn’t shy away from sitting in that profound discomfort—the gnawing lack of easy answers or hopeful assurances when confronting systemic injustice, oppression, and the harsh realities of human nature. Kuang seems to understand at a profound level that true ideological metamorphoses and the unraveling of deeply embedded power structures are glacially slow, fragile work. It’s a grinding process of constant negotiation between incremental reforms, radical uprisings, tragic sacrifices, and stubborn backlashes – all unfolding in infinite shades of morally ambiguous grays.

This book doesn’t offer cheap catharsis or clear paths forward – just an honest reckoning with the daunting complexities of waging revolution, both external and internal. Toward the end, when Robin and his cohorts are forced to directly confront the question that anchors Babel’s narrative thrust—” Can powerful institutions be changed from within, or does revolution always require violence?”—the answer they ultimately arrive at is gut-wrenching in its lack of easy certainties. All I’ll say is that while the climax is thrilling and audacious, it closes on a surprisingly low-key, melancholic note that feels painfully true to how righteous ideological wars often fizzle out in ambiguity.

For all my fulsome praise here, I do want to note that Babel isn’t a perfect book. As engrossing as I found the main through-lines involving Robin’s ethical quandaries at Babel, many of the tertiary storylines and side characters felt underbaked to me. While I appreciated Kuang’s extensive linguistic digressions and info dumps about translation theory on an intellectual level, those portions also tended to stall the narrative momentum in places. A slightly more streamlined edit might have enhanced the propulsive quality of the core plot and interpersonal stakes.

But those are relatively minor gripes in the grand scheme of things. Because at the end of the day, Babel is a staggering artistic achievement—a mind-expanding, emotionally resonant work that weds creative ambition with deep philosophical substance. This is a fantasy novel that also functions as a searing critique of imperial arrogance and the cultural erasures wrought by linguistic hegemony. It’s a white-knuckled academic thriller that also reckons with the moral vagaries of resistance movements and navigating systemic injustice.

More than perhaps any other book I’ve read recently, Babel challenged me as a reader on an intellectual level while also leaving me gutted on a visceral, emotional wavelength. Kuang ensures you don’t just ponder these concepts abstractly – you feel them coursing through the pulse of her characters’ lives in an almost spiritual way. That’s the mark of a truly transcendent novel in my opinion.

In many ways, this career-defining work feels like Kuang flexing her literary muscles to their fullest extent yet, synthesizing all her prodigious talents into a cohesive creative vision. The precise, almost clinical way she wields vocabulary and arcane linguistic concepts with such diamond-cut clarity. Her awe-inspiring cultural and historical breadth imbues every sentence with a sense of authenticity rarely found in fantasy epics. The psychological accuracy with which she inhabits clashing ideologies and contradictory mindsets. Her sensitivity to the lingering traumas and intergenerational wounds that ripple outward from colonial atrocities and systemic injustice.

Kuang contains multitudes as a writer, shapeshifting between genres and tones with an almost disorienting fluidity. Baroque fantasist, academic philosopher, political revolutionary, and humane poet of loss and identity—she wears all those masks masterfully over the course of this sweeping, majestic book. With Babel, she has gifted readers with nothing less than a modern masterwork of speculative fiction that’s sure to be analyzed and debated for generations to come.

So if you’re looking for a book that will simultaneously dazzle and haunt you; that will make you ponder questions of language, power, and culture in new ways while also battering your heart with its emotional contingencies – move this to the top of your reading list immediately. Get ready to have your perceptions of reality expansively reshaped by one of the most audacious and mind-blowing novels you’ll ever encounter. I can’t recommend Babel highly enough.

Readers also enjoyed

The bright sword by lev grossman, for she is wrath by emily varga, this will be fun by e.b. asher, don’t let the forest in by c.g. drews, the reformatory by tananarive due, popular stories, one day, life will change by saranya umakanthan, most famous fictional detectives from literature, the complete list of the booker prize winner books, book marketing and promotion services.

We provide genuine and custom-tailored book marketing services and promotion strategies. Our services include book reviews and social media promotion across all possible platforms, which will help you in showcasing the books, sample chapters, author interviews, posters, banners, and other promotional materials. In addition to book reviews and author interviews, we also provide social media campaigning in the form of contests, events, quizzes, and giveaways, as well as sharing graphics and book covers. Our book marketing services are very efficient, and we provide them at the most competitive price.

The Book Marketing and Promotion Plan that we provide covers a variety of different services. You have the option of either choosing the whole plan or customizing it by selecting and combining one or more of the services that we provide. The following is a list of the services that we provide for the marketing and promotion of books.

Book Reviews

Book Reviews have direct impact on readers while they are choosing their next book to read. When they are purchasing book, most readers prefer the books with good reviews. We’ll review your book and post reviews on Amazon, Flipkart, Goodreads and on our Blogs and social-media channels.

Author Interviews

We’ll interview the author and post those questions and answers on blogs and social medias so that readers get to know about author and his book. This will make author famous along with his book among the reading community.

Social Media Promotion

We have more than 170K followers on our social media channels who are interested in books and reading. We’ll create and publish different posts about book and author on our social media platforms.

Social Media Set up

Social Media is a significant tool to reaching out your readers and make them aware of your work. We’ll help you to setup and manage various social media profiles and fan pages for your book.

We’ll provide you our social media marketing guide, using which you may take advantage of these social media platforms to create and engage your fan base.

Website Creation

One of the most effective and long-term strategies to increase your book sales is to create your own website. Author website is must have tool for authors today and it doesn’t just help you to promote book but also helps you to engage with your potential readers. Our full featured author website, with blog, social media integration and other cool features, is the best marketing tool you can have. You can list each of your titles and link them to buy from various online stores.

Google / Facebook / Youtube Adverts

We can help you in creating ad on Google, Facebook and Youtube to reach your target audience using specific keywords and categories relevant to your book.

With our help you can narrow down your ads to the exact target audience for your book.

For more details mail us at [email protected]

The Bookish Elf is your single, trusted, daily source for all the news, ideas and richness of literary life. The Bookish Elf is a site you can rely on for book reviews, author interviews, book recommendations, and all things books. Contact us: [email protected]