essay about television production

Essay on TELEVISION

Updated November 24, 2023

The Medium is the Message

Television is a popular medium that has influenced society’s standards and public opinion while delivering educational information and entertainment. The emergence of streaming services has brought about changes in viewer habits and content production, leading to an evolution in the television landscape. Its ability to serve as both an informational and recreational tool highlights the profound influence of television on culture and communication.

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History of Television

Invention and Early Development (19th-early 20th century): The concept of television can be traced back to the 19th century, with inventors such as Paul Nipkow, who designed the first electromechanical television system in 1884. Early experiments continued through the early 20th century, with inventors such as Vladimir Zworykin and Philo Farnsworth making significant contributions.
Mechanical Television (1920s): It used rotating disks to scan and transmit images. 1927 Philo Farnsworth successfully transmitted the first-ever television image through a fully electronic system.
Introduction of Electronic Television (1930s): David Sarnoff of RCA played a crucial role in developing electronic television. Regular television broadcasts began in the late 1930s, with the BBC launching the world’s first public television service in 1936.
Impact of World War II (1940s): Resource constraints temporarily slowed Television production and adoption during World War II. After the war, television experienced rapid growth as economies recovered and technology improved.
Golden Age of Television (1950s-1960s): The 1950s saw the popularization of television in households across the United States and Europe. Iconic shows like “I Love Lucy,” “The Twilight Zone,” and “The Ed Sullivan Show” defined this era. Color television was introduced in the 1950s, enhancing the viewing experience.
Remote Control and Cable Television (1960s-1970s): The introduction of the remote control in the 1960s revolutionized viewer interaction. Cable television gained prominence, offering a wider range of channels and specialized content.
Satellite Television and Globalization (1980s-1990s): Satellite technology allowed for global television distribution. The rise of cable news networks such as CNN in the 1980s and 1990s contributed to the globalization of news coverage.
Digital Television and High Definition (2000s): Analog television signals were gradually replaced by digital signals, offering improved picture and sound quality. High-definition television (HDTV) became mainstream, providing a more immersive viewing experience.
Streaming Services and On-Demand Content (2010s-present): Streaming platforms like Netflix, Hulu, and Amazon Prime transformed how audiences consume content. The traditional television model shifted as viewers embraced on-demand programming, binge-watching, and original content produced by streaming services.

Impact on Society

Television’s impact on society has been multifaceted, influencing culture, shaping opinions, and altering social behaviors in various ways:

Cultural Influence: Television has played a significant effect in creating cultural norms and values. It reflects societal attitudes and, as a result, impacts them. It serves as a mirror to society, showcasing diverse perspectives, lifestyles, and cultural practices, contributing to a more interconnected world.
Information Dissemination and Public Opinion: News programs and television documentaries profoundly impact public opinion and awareness. They shape perceptions of current events, politics, and societal issues. The presentation and framing of news stories on television can influence viewers’ understanding and opinions on important matters.
Behavioral and Social Impact: Influences consumer behavior and trends. Advertisements and product placements on TV often dictate purchasing decisions and lifestyle choices. Television programming can influence behavior, attitudes, and social interactions, especially for children. Educational programs have a positive impact on learning and development.
Cultural Homogenization and Globalization: It has contributed to cultural homogenization by transmitting common values, trends, and entertainment across borders. It has played a role in globalizing popular culture. Global events and phenomena can quickly reach a worldwide audience through television, fostering a sense of shared experiences.
Entertainment and Escapism: Serves as a primary source of entertainment, offering a wide array of genres and shows that provide an escape from daily life. It can evoke emotions, create cultural icons, and foster community through shared viewing experiences.
Health and Social Implications: Excessive television viewing has been associated with sedentary lifestyles, contributing to health issues like obesity and decreased physical activity. Television content can impact social perceptions and stereotypes, influencing how certain groups or issues are portrayed and perceived.
Economic Impact: It serves as a platform for advertising and generates substantial revenue. The success of television shows and networks significantly impacts the entertainment industry and economies.

Role of Television

Here’s a breakdown of its influence in different areas:

Entertainment Industry: Television is a significant source of entertainment worldwide. It provides diverse programs, including dramas, comedies, reality shows, and documentaries—a platform for creative expression, showcasing acting, directing, writing, and production talents. Reality TV has transformed entertainment dynamics, shaping pop culture and influencing trends.
News and Information Dissemination: Television remains an essential medium for news delivery. It reaches vast audiences with up-to-the-minute coverage of global events. 24-hour news channels and talk shows shape public opinion, influence political discourse, and raise awareness of critical issues.
Advertising and Consumerism: Commercials profoundly impact consumer behavior, promoting products and shaping consumer preferences. Advertisements generate revenue for networks and drive the economy by influencing purchasing decisions.
Education and Learning: This is a supplemental learning tool for children and adults. Educational programming on dedicated channels offers lessons on various subjects, contributing to informal education.
Cultural Influence: Reflects and shapes cultural norms, values, and societal attitudes by portraying diverse characters and storylines. It contributes to the globalization of culture, exposing audiences to different traditions, languages, and perspectives.
Health and Social Behavior: Influences lifestyle choices and social behavior, impacting everything from fashion trends to dietary preferences. Excessive screen time, however, has raised concerns about its effects on physical health and mental well-being.
Sports and Events Coverage: Broadcasts major sporting events, making them accessible to a global audience and enhancing the popularity of various sports. It provides a platform for cultural events, award shows, and ceremonies, fostering community engagement and celebration.
Technological Innovation and Future Trends: Technology continues to evolve, with advancements in high-definition displays, streaming services, smart TVs, and interactive content. Emerging virtual and augmented reality trends reshape viewer experiences, offering immersive and interactive content.

Harming the Youth

Television provides various benefits and entertainment options, but it remains a source of concern regarding its potential negative impact on the youth. Several factors contribute to the argument that television may be harming the youth.

Firstly, prolonged television viewing has been linked to adverse health effects, including sedentary behavior that can contribute to physical health issues such as obesity and poor cardiovascular health. The allure of television content may lead to a decrease in outdoor activities and exercise, exacerbating the risk of health problems among the youth. Television programming may contain violence, inappropriate language, or mature themes unsuitable for younger viewers. Exposure to such content can desensitize youth to violence, influence their behavior, and contribute to the development of aggressive tendencies.

Advertising on television poses a significant risk to the well-being of the youth. Advertisements often promote unhealthy food choices, unrealistic body standards, and materialistic values. The constant bombardment of these messages can contribute to the formation of negative self-images, unhealthy eating habits, and a skewed perception of success and happiness among young viewers. The impact on academic performance is also concerning. Excessive screen time, particularly before bedtime, can interfere with sleep patterns, leading to fatigue and difficulty concentrating. Poor sleep quality and the potential distraction of television during study time may contribute to lower academic achievement among the youth.

Benefits of Watching Television

While there are concerns about the potential adverse effects of excessive television watching, it is essential to acknowledge that television can also provide several benefits regarding education, entertainment, and social connection.

One significant advantage is the diverse range of entertainment options it offers. From television programs and movies to sports and reality shows, television caters to various tastes, providing a convenient and accessible source of relaxation and enjoyment.

It is also a valuable educational tool. Educational programs, documentaries, and informative channels disseminate information on topics from science and history to art and culture. The educational content can engage viewers and supplement formal education, making learning an enjoyable and accessible experience.

In addition to entertainment and education, it fosters a sense of connection and community. Shared viewing experiences, such as a family gathering around the TV or friends discussing a popular show, contribute to social bonding. it is a common ground for shared cultural references, fostering a sense of connection among diverse individuals.

Moreover, television plays a crucial role in keeping people informed. News programs provide real-time updates on local, national, and global events, helping viewers stay connected to the world around them. This accessibility to information contributes to a well-informed and engaged citizenry. From the convenience of entertainment to the educational and informative aspects, television continues to be a versatile and influential medium that enriches individuals’ lives and contributes to society’s cultural fabric.

Future Trends

Here are some anticipated future trends:

Streaming Dominance Continues: Streaming services are expected to dominate the television landscape further. The convenience of on-demand content and the proliferation of subscription-based platforms will likely redefine how viewers access and consume television.
Rise of Original Content: Streaming platforms investing heavily in original content creation will continue to expand. This trend will likely lead to a surge in high-quality, exclusive programming across genres, further diversifying viewer choices.
Personalized Viewing Experiences: Customization and personalization will become more prominent. AI and machine learning will enable platforms to recommend content based on individual preferences, improving user experiences.
Integration of Interactive Features: Interactive and immersive content will grow, allowing viewers to engage more actively with their favorite shows. This could include interactive storytelling, where viewers influence plotlines or character development.
Convergence of TV and Gaming: The line between television and gaming will continue to blur. Gaming content, live streams, and esports events are increasingly becoming part of television programming, appealing to a broader audience.
Expansion of Augmented Reality (AR) and Virtual Reality (VR): AR and VR technologies will find more applications in television. Enhanced viewing experiences, interactive storytelling, and virtual environments for immersive content could become more prevalent.
5G and Enhanced Connectivity: The widespread adoption of 5G technology will revolutionize content delivery. Faster speeds and improved connectivity will facilitate seamless streaming experiences and enable the expansion of high-definition and 4K content.
Shift in Advertising Models: Advertising strategies will evolve. Targeted advertising, product integrations, and branded content will likely become more prevalent as traditional ad formats face challenges with ad-skipping and ad-blocking technologies.
Content Accessibility and Global Reach: Television content will become increasingly accessible globally. Streaming platforms expanding their reach to different regions and creating diverse, multicultural content will cater to a more global audience.
Regulatory Changes and Content Curation: Regulatory changes may impact content creation and distribution. Stricter content guidelines and increased efforts for content curation and moderation could influence the type of content available to viewers.

Television has come a long way in terms of the types of programs it offers, largely due to changing audience preferences and technological advancements. While news and dramas have been the traditional formats, reality shows, and streaming platforms have emerged as new and dynamic landscapes. Despite these changes, television has maintained its ability to capture audiences with diverse content. As new technologies continue to shape the medium, television remains a powerful force in shaping cultural narratives and providing entertainment and information to viewers worldwide.

Essay on Television for Students [100, 150, 200, 350 Words]

Essay on Television: Television is one of the most influential innovations of modern times. In this article, you are going to learn to write a paragraph or essay on Television (100, 150, 200 and 350 Words). You’ll learn what are the uses and abuses of television or what are the advantages and disadvantages of television. So, let’s get started.

Table of Contents

Short Essay on Television: 100 Words

Television is based on a highly sophisticated science of vision and sound. A man can see as far the horizon. He hears as far as the sound is audible to him. But television takes his vision to a place far beyond his horizon. He sees a thing or person long beyond his actual physical reach. It brings to him also sound from a very remote place.

In fact, television brings vision and sound together from a distance which is beyond the range of human sight and hearing. It is a powerful and very useful invention of modern science. It has conquered space for human eye-sight. It has brought about a great development in the science of communication. It can well be used for entertainment and knowledge.

Television Essay: 150 Words

One of the latest wonders of science is Television. It is an effective medium of communication and entertainment. We can watch live important political, sports and other events happening at distant places. This enables us to have a direct knowledge of the things, places and events far away. TV has thus brought the whole world into the drawing room.

Television is also a powerful medium of mass education. Educational programmes on healthcare and family planning, general knowledge can be sent to millions of viewers through audio-visual presentation in the TV. It also keeps off loneliness.

But TV has its bad effects too. Watching TV sometimes becomes an addiction, People remain glued to the TV and it makes them idle- particularly the students and young people. They neglect sports and games and their studies. Too much of viewing affects our vision. Programmes, if not properly selected, cast bad effects on young minds. Social visits become very rare and people become unsocial.

Essay on the Television: 200 Words

No other thing is as familiar as Television in our present times. It was invented by John Baird in 1925. It first appeared in India in 1959. It is really a wonder of science today. It is a two-in-one. It is the radio on one side and the cinema on the other. Television is a very useful instrument in many ways. It is a powerful medium for education and recreation. It gives lessons on the subjects like science and mathematics and also on geography and history.

It shows us cinema and live telecast on games and sports. On its screen we have a delightful scenery of nature and thrilling sights of animals roaming in the jungles and in the deep waters of the seas. We can amuse the shows of serials. It is also a mighty medium of advertisement.

Sometimes it has bad effects on children. In most cases, they sit tight with it to witness their favorite items which captivate them greatly. Sometimes they neglect their bounden duties as students. They try to copy the most interesting show-style. In some cases they even face their death. Many things are very good with television but its price is very high and the poor cannot benefit by it.

Television Essay in English: 350 Words

Television is a modern invention. When television was first invented, people of the world were very happy because they had the scope to know the world around them and to entertain themselves in the best possible ways. Television is no doubt something which ushered progress of civilization. Some electronic media like BBC took over the most important role to make the people of the world aware of the society to which they were belonging and the environment by which they were being nourished. It is quite well known that, BBC produced all of the plays of Shakespeare as films. Even this world famous electronic media focused on the two World Wars so much so that people of the world came to know how horrible was war and warfare. Thus social consciousness was an important factor that was first aroused by the aid of television.

But this television is now being abused constantly by some commercially debased people. In West Bengal, television is so abused that the young generation is now misguided. The young people follow the bad culture and become oblivious of the hoary tradition of our country. Mere entertainment has been presented on the different television channels. Meaningless serials and reality shows are heart-throbbing without any moral impact. Crimes and social disorder are presented so crudely that the minds of the young people are overwhelmed with frustration, dilapidation, and despair. It seems that there is no escape from despair. The ultimate result is social alienation which brings about moral dilemma.

Yet, the concerned authority is really callous to the problems. Advertisement, sponsors, etc. are the sources of the economic structure of the different channels. Thus, the producers intend to draw the attention of the businessman by claiming the popularity of the channels. The inevitable result of this kind of commercial debasement is of Course disintegration that causes serious disbelief in the sphere of culture and education. Therefore, we must be conscious of the fact that television is not merely a media for entertainment; rather it is a source of important social and cultural messages.

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Apj abdul kalam essay in english | 100, 200, 300, 500 words, blood donation essay in english | 150, 200, 300 words, my mother essay in english 10 lines [5 sets], essay on mother teresa in english for students [300 words], 3 thoughts on “essay on television for students [100, 150, 200, 350 words]”.

I really enjoyed reading your essay on television. It was very informative and I learned a lot. I especially liked the part about how television can be used to teach different subjects.

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In This Article Expand or collapse the "in this article" section Global Television Industry

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Global Television Industry by Denise Bielby , Kristen Bryant LAST REVIEWED: 15 January 2020 LAST MODIFIED: 15 January 2020 DOI: 10.1093/obo/9780199791286-0244

Television was introduced as an experimental technology in the 1920s and 1930s in Europe, Asia, the former Soviet Union, and the Americas, but it was not until after World War II that it was widely adopted as a form of mass communication around the globe. Although television’s innovation and diffusion as a novel technology, establishment and growth as a communications industry, maturation and popularity, and specialization and diversification took decades to unfold, once it became widely publicly available, it quickly materialized as an essential venue for news, information, and entertainment. Television originated as a domestic industry overseen through a variety of national regulatory arrangements, making its transformation from a medium focused on local interests and concerns into an industry with a global reach all the more compelling. This transformation, which was enhanced by the introduction of cable, satellite, and Internet technology, was, in retrospect, influenced by the accomplishments of radio broadcasting, with its ability to transcend national borders and reach unanticipated audiences, and the expansiveness of the film industry, which from the earliest days of the studio system had cultivated an international export market to enhance revenue. In the case of the television industry, export was led by production companies seeking to recoup the costs of production under deficit financing arrangements with the networks and program sponsors. Early global exports were driven mainly by US production companies, and although the United States remains dominant in the sale of finished products, a vast number of nations, production companies, and networks now provide the United States with stiff competition within regional markets and program genres. Deficit financing has been adopted more recently by wealthier non-US nations like the United Kingdom, while less affluent and/or smaller markets rely on other approaches. Ever-emerging technologies, penetrable national borders, remote markets, and viewer interest in programs from other countries are foundational concerns alongside the political economy of regulation that make up the study of the global television industry.

The study of the global television industry is a multidisciplinary field informed by analysis of the cultures and cultural contexts of the production, distribution, and consumption of the medium of television. Parks and Kumar 2003 (film and media studies); Ouellette 2013 (communication studies); Hall, et al. 2010 and Grindstaff, et al. 2019 (sociology); and Mansell and Raboy 2011 (communication policy) are all handbooks that serve as primary contributions to this vast field that also includes research by scholars in economics and business who address the commerce of culture-producing industries; political scientists who attend to the delineations of nation, state, and national identity by media institutions; and geographers who analyze the relationship of interconnected trade among cities and regions to globalization. Volkmer 2012 is a handbook that addresses the diverse methodological approaches that reflect the multidisciplinarity of the field. Although scholarly analysis of television’s global presence was launched in the early 1970s, following the publication of Nordenstreng and Varis 1974 , the UNESCO report (cited under Theorizing Global Television: Media Flows ) on international patterns of “television traffic,” the field remained a relatively specialized topic of concern until the study of globalization, per se, became established as a field in its own right and was recognized and accepted as integral to understanding the cultural contexts of the societal, institutional, and technological infrastructures of the television industry. Because the study of the global television industry remained largely nascent until the early 1990s, and draws upon a broad range of disciplinary backgrounds and perspectives, handbooks and associated reference works were slow to emerge even as important work pertinent to understanding the industry was being published. However, the field is now sufficiently established that there are very useful edited collections with contributions from a substantial number of well-known scholars who populate the field. These handbooks tend to reflect the disciplinary roots and perspectives of their editors, even as individual scholars from vastly different disciplines share interest in particular subjects.

Grindstaff, Laura, Ming-Cheng Lo, and John Hall, eds. Handbook of Cultural Sociology . 2d ed. New York: Routledge, 2019.

The second edition of Hall, et al. 2010 . It contains updated material on global culture and global processes, and new entries on cultural policy, cultural consumption, and media ownership.

Hall, John R., Laura Grindstaff, and Ming-Cheng Lo, eds. Handbook of Cultural Sociology . New York: Routledge, 2010.

A comprehensive overview of contemporary scholarship in sociology, communication, media studies, ethnic studies, gender studies, and international studies that focuses on the complex relations of culture to social structures in a global era. Contributions include cultural and social theory and developments central to the constitution and reproduction of culture, including media culture, such as power, technology, and the organization of work. The book’s second edition, Grindstaff, et al. 2019 , contains new entries and updated material.

Mansell, Robin, and Marc Raboy, eds. The Handbook of Global Media and Communication Policy . Hoboken, NJ: Wiley-Blackwell, 2011.

Edited collection that explores conceptual frameworks and new methodologies for mapping the contours of emergent global media and communication policy. Examines the local, national, regional, and global forums in which policy debate occurs.

Ouellette, Laurie, ed. The Media Studies Reader . New York: Routledge, 2013.

A collection of foundational essays and new writings that cover major theories and debates that have shaped domestic and global critical media studies from the 1940s to the early 21st century. Topics include culture, technology, representation, industry, identity, audience, and citizenship.

Parks, Lisa, and Shanti Kumar, eds. Planet TV: A Global Television Reader . New York: New York University Press, 2003.

An edited collection that provides a comprehensive overview of the rapidly changing landscape of global television through contributions that explore cultural imperialism, nationalism, postcolonialism, transnationalism, ethnicity, and cultural hybridity. Its embrace of the history of television cultures counters the assumption that global television is merely a result of the current dominance of the West in world affairs.

Volkmer, Ingrid, ed. The Handbook of Global Media Research . Hoboken, NJ: Wiley-Blackwell, 2012.

An edited collection that explores competing methodologies in the field of transnational media and communications in order to provide insight into the challenges of research practice in a globalized media landscape.

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The Seven Ways To Write About Television

Linda Holmes

A hand with a remote looking at many screens.

Perhaps it's the combination of Sunday night's Mad Men finale and the flurry of Sopranos discussion that followed the death of James Gandolfini, but it's hard not to be struck by the explosion of writing about television that's occurred in the last 15 years or so, facilitated (of course) by the ability to go from rolling credits to publication in an hour (if necessary). After any major episode, there will be a flurry of commentary, and even after minor episodes of minor shows, there are write-ups here and there.

But while these pieces — whether you call them recaps, reviews, essays, commentaries, whatever — may look the same, there are a bunch of different ways to do them, and understanding the kinds that are out there might help you find the kind you like. So here they are: the seven ways people commonly write about television.*

The Craft model . In a lot of ways, this is the kind of criticism with which people are most familiar. It's focused on the quality of work that goes into a show — how strong is the directing, writing, acting, lighting, scoring, and so forth. The higher-brow the show is, the more Craft writing there is; nobody spends a lot of time writing about the direction on NCIS or The Big Bang Theory , even if they like those shows.

That doesn't mean there is no craft — it just means either writers are usually not interested in writing about it or they don't have the familiarity with the form to analyze it effectively. Craft writing probably requires the most background knowledge and the most experience, and it's where you're most likely to fall into a hole if you don't actually know which pieces of a show's quality are the result of direction, for instance, versus writing. To give you an example of Craft done well, Matt Zoller Seitz is a Craft writer, mostly. (Although, I should note, everyone I know who's a good writer incorporates elements of all these models. But Matt is a Craft guy.)

The Ethical model. It's almost a subspecies within the Craft model, but it deserves its own section, I think. The Ethical model is where writers address the sociological implications of how the show is made. In the reality setting, this is pretty obvious — were people subjected to terrible conditions, and so forth. But Ethical writing also tends to incorporate issues of gender, race, sexuality, politics, and so forth. Perpetuating stereotypes, representation behind and in front of the camera — this is where Ethical writing gets its strength. Alyssa Rosenberg does a lot of Ethical writing at Think Progress; she's probably the only writer I can think of where that's what she sees as her primary beat (perhaps unsurprisingly).

The Puzzle model. This is the writing that tries to uncover hidden meanings and explain symbolism. The idea is to take your sharp eye, as the writer, and note things that other people perhaps wouldn't notice. The absolute best Puzzle writing I'm aware of at the moment is Mad Style , the weekly column breaking down the costuming of Mad Men , found at the fashion site Tom and Lorenzo . Most costume commentary, other than this, is part of the Craft model — admiring the sheer beauty of wardrobe choices or the skill in matching them to the period. But Mad Style treats fashion like other writing treats any other kind of messaging and applies specialized knowledge to surface pieces of the storytelling that aren't obvious.

But whenever writers are pointing out callbacks, metaphors, symbolism, lines that have double meanings — that's all Puzzle stuff. In many, many episode recaps, you'll find bullet points at the end, some of which will be Puzzle content that doesn't fit anywhere else.

The Maker model. These are the pieces of writing that focus on the relationship between a show and its creator, in spite of the fact that lots of people's work go into the final product. It's kind of like auteur theory in film, although it tends to be a little more from-the-hip with television, and it doesn't necessarily indicate that anyone is sophisticated enough to be considered an auteur. These are things like Emily Nussbaum's marvelous New Yorker piece on Ryan Murphy, "Queer Eyes, Full Heart." There are makers who attract much more Maker writing than others — Shonda Rhimes, oddly enough, attracts less of it than you might expect, given her massive impact on the ABC lineup, while Lena Dunham attracts outrageous tons of it, despite her relatively small audience. (Aaron Sorkin gets more of it the more he complains about it, which is sweet justice for someone, but I'm not sure who.)

The Riff model. This is writing that sees television primarily as a jumping-off point for jokes. It's what Television Without Pity was when I worked there, it's what Previously.tv is, and it's what a lot of Vulture recaps are, including (for instance) Dave Holmes writing about American Idol .

The Vignette model. On a personal note, this is probably the model I use the most. Monday's piece about the Mad Men finale falls into this category; on a less serious note, so does the Scandal piece I wrote about how everyone in the world should dump Fitz. In the Vignette model, you look at a piece of television as a little story, and then you address a bunch of discussion questions. Can Don be saved? Is Megan misunderstood? Can Walter White turn his life around? Should Alicia Florrick get back together with her husband? These aren't really about the quality of the product, exactly, they're questions the product provokes . The episode, in this case, just exists — it's like an essay question on a test. "Discuss."

A lot of people are completely baffled by Vignette writing. This is where you get the "What are you talking about THESE ARE FICTIONAL CHARACTERS!" stuff, as if you'd never talk about what the people in a story did unless it was true. The irony is that Vignette writing freaks people out, but it was the first literary analysis most of us ever learned: Why does this character lie? What should this person have done? What motivated Iago?

Vignette writing is also what animates just about everyone who likes writing about reality TV, because while there's a lot of craft involved in differentiating good reality from bad, that's not what most of the writing is about. Most of the writing, whether serious or funny, is about the people in the story and what their behavior says about the way people act. I don't remember ever having an incredibly fascinating conversation about the crafting of reality shows except with people who make them or appear on them, but I've had many, many great discussions about (for instance) the distinction between the kinds of men who win Survivor and the kinds of women who win, or why The Bachelor contestants act like being divorced is scandalous, or why you can't have alliances on The Amazing Race . Again, you just take the story as a story. Discuss .

The Service model. There are people who really do spend a lot of time just telling you what happened without comment, where the primary purpose of the piece is to fill you in if you missed it. This is basically a human taking the place of your DVR if you forgot to set it.

So there you have it: the seven ways to write about television. Of course, this is less a set of distinct areas with sharp boundaries and more a color wheel where one thing blends into another, because you'll usually see elements of all of them in a good and comprehensive piece of writing, but most of us are more interested in some of these kinds of writing than others, and it's good to have a sense of the landscape when you're looking for a home.

*These are ways, I should note, to write commentary. There is also a world of more traditional reporting, including profiles and breaking news, that's a separate issue entirely. That, in turn, is subdivided into business reporting (who's got a deal with which studio), show reporting (stories about production and creation), and the weird world of plot reporting (news stories about fictional characters — so-and-so will die, so-and-so will have an affair with so-and-so).

Evolution of Television Essay

To find inspiration for your paper and overcome writer’s block
As a source of information (ensure proper referencing)
As a template for you assignment

Evolution of television (TV) is a chronological breakdown of television advancements since its invention. Television broadcasting is a telecommunication transmission and reception of sound and images in motion. The pictures are either monochromatic (black and white) or colored.

A basic TV system is a combination of the transmitter, medium of transmission, and a receiver. Benoit (2013) argues that television may also refer to the physical television set, mode of broadcasting, or various programs that the TV network airs.

Research shows that in 1926 Farnsworth was the first person to transmit real-time moving images from a transmitter to a remote receiver. In another experiment, he transmitted radio-frequency signals from a transmitter to several receivers operating at the same radio frequency as the transmitter.

This development was the foundation for television broadcasting in 1939. During the World War II, America used television broadcasting for live coverage of war fronts. However, mass TV broadcasting and transmission began after the World War II in 1948 (Cesar & Chorianopoulos, 2009).

Commercialized color television broadcasting in the US began in 1953. It involved broadcasting of colored images instead of the monochromatic ones. However, color television sets and their accessories were very expensive at that time in addition to high prices for the colored images’ transmission.

Consequently, television networks did not launch color television broadcasting immediately. In 1965, the US television networks adopted color TV format and started broadcasting color pictures for the first time in 1966 (Benoit, 2013).

In 1970, the American television networks launched cable television broadcasting, which is a technology where images and audio are transmitted to the television subscribers using a coaxial cable instead of the frequency signal. John and Margaret Walson invented cable television broadcasting in 1948.

Later in 1972, Home Box Office (HBO) cable television network was launched and introduced a television network using premium cable for reception and transmission of the colored images. HBO transmission technology implemented a satellite as the medium between the transmitter and the receiver.

Research affirms that HBO television improved the TV experience since creation of documentaries, comedy, and boxing programs. In addition, it should be noted that with the invention of HBO, many families migrated from cinema entertainment to television-based entertainment programs (Parsons, 2008).

In 1981, MTV cable television network was introduced. According to Parsons (2008), MTV television network had few format restrictions in its broadcasting and presented pay-based channels to compete the restricted HBO channels.

TBS was one of the most remarkable basic channels providing the local TV broadcasting in the USA. The invention of stereo sound television sets in 1982 improved picture quality as well. However, the TV sets using stereo sound technology penetrated the American market in 1984 only. They had better resolution with clear colored images (Parsons, 2008).

Television broadcasting and reception significantly improved in the 1990s. Throughout the decade, the cable television was the means of transmission between the transmitters in television network premises and the receivers at the viewer’s home.

For instance, HBO introduced Sex in the city and The Sopranos programs, the episodes of which were keenly followed by many homes leading to the fact that television became a popular means of entertainment in the US.

Since 1930, television sets have used Cathode Ray Tube (CRT) screens for displaying. By the end of the 1990s, liquid crystal display (LCD) and Plasma television screens replaced CRT ones. Afterwards, television sets with inbuilt sleep timers to save power were released into the American market.

In 1999, the child lock buttons appeared to be inserted in the TV sets to enhance home television security penetrated the market. Therefore, parents could control what their children watched and at what time (Cesar & Chorianopoulos, 2009).

The TV entertainment changed in 2000 after the introduction of the DVD technology. In the early 2000s, more and more houses used DVD and CD players for entertainment instead of watching the regular television programs. By the mid 2000s, scientists launched the Thin Film Technology (TFT) display, and in 2007, electronic companies presented TV sets and computers implementing the TFT screens for display.

Many families replaced their CRT displays with the TFT screens. This migration was further motivated by the stereotype that the CRT screens emitted radiation that affected the viewers’ eyes if watched for a long time (Benoit, 2013). In addition, the TFT televisions were small and consequently economical and fashionable.

The televisions with the TFT screens displayed clearer images than television utilizing the CRT screens for display (Wells, 2009).

The US switched from analog television to Digital Television (DTV) transmission on June 12, 2009. This technology is a transmission and reception of sound and images in a digital format using digital devices. It uses multiplexing technology in transmission of images and photos rather than time and frequency separation used in analog transmission.

There are so many advantages associated with the DTV broadcasting. For instance, digital television broadcasting produces sharper pictures due to the reduced interference time (Benoit, 2013).

Secondly, digital transmission uses less bandwidth hence many channels can be transmitted using the same physical medium used in analog transmission. Therefore, viewers can access more channels in the DTV transmission than in the analog television broadcasting.

Furthermore, the DTV transmission improves file accessibility through the Set Top Box (STB) feature that has multiple universal serial ports, from which people connect external devices like phones, internet modems, flash disks, and memory cards. Therefore, families can use their TV sets to play video or audio files from external devices (Cesar & Chorianopoulos, 2009).

In addition, the DTV transmission led to the introduction of High Definition (HD) television sets. HD televisions apply the digital display technology that provides high quality audio and colored pictures. HD screens display clear sounds and images since the screens use double vertical resolutions as compared to the width resolution.

In 2010, High definition television (HDTV) technology display was launched. HDTV is an improved version of HD display that uses widescreen format technology that enabled high quality images. Online television is the latest TV development in the broadcasting market.

Today, one can stream live television programs from their computers, tablets, or mobile phones. Therefore, television viewers do not necessarily require a television set to watch television programs (Benoit, 2013).

In conclusion, evolution of television technology has undergone multiple changes since 1930. The first television used cable technology to transmit black and white images at the specified time. Afterwards, the color image transmission improved television image quality in 1953.

Later on in 1972, HBO TV network introduced long distance transmission using satellite as the medium. High resolution Stereo sound TV transmission was presented in the 1980s. Plasma and LCD television displays, which improved picture and audio clarity, penetrated the US market in the 1990s.

Further in 2009, America switched from analog to digital TV transmission that in 2010 was replaced by HD and HDTV television sets improving the image quality. Online television streaming using mobile phones, tablets or computers is the latest development in the TV technology.

Benoit, H. (2013). Digital television: satellite, cable, terrestrial, IPTV, mobile TV in the DVB framework (4th ed.). Burlington, MA: Focal Press.

Cesar, P., & Chorianopoulos, K. (2009). The evolution of TV systems, content, and users toward interactivity . Hanover, MA: Now Publishers.

Parsons, P. (2008). Blue skies: a history of cable television . Philadelphia, PA: Temple University Press.

Wells, Q. (2009). Guide to digital home technology integration . Clifton Park, NY: Delmar Cengage Learning.

Transmission and Reception of Television Signals
American Television History
Pricing of Video Streaming Services
The days of broadcasting are behind us
The Individual Freedom Act in Florida
What Is “Real” About Reality TV Through Susan Boyle’s Debut On Britain’s Got Talent
The Types of Features Used in Different Television Shows
Concept of “Lifestyle” in the 20th Century
Reality Television and Social Evaluation
Television and Cultural Change and Fragmentation of Audiences in the 21st Century
Chicago (A-D)
Chicago (N-B)

IvyPanda. (2019, April 19). Evolution of Television. https://ivypanda.com/essays/evolution-of-television-essay/

"Evolution of Television." IvyPanda , 19 Apr. 2019, ivypanda.com/essays/evolution-of-television-essay/.

IvyPanda . (2019) 'Evolution of Television'. 19 April.

IvyPanda . 2019. "Evolution of Television." April 19, 2019. https://ivypanda.com/essays/evolution-of-television-essay/.

1. IvyPanda . "Evolution of Television." April 19, 2019. https://ivypanda.com/essays/evolution-of-television-essay/.

Bibliography

IvyPanda . "Evolution of Television." April 19, 2019. https://ivypanda.com/essays/evolution-of-television-essay/.

Journalism History journal

Broadcast Essay: Live Television Changed the Way We Saw the World

TV news crews set up for a story. Photo in black and white.

How television changed the cultural landscape

Television news started out as the bastard child of radio news and the film newsreel, and it was almost immediately disowned by those in the news business as superficial, trivial, and incomplete. Most print journalists either ignored or dismissed television news when it started its birth pangs in the late 1940s.

Radio gave television news the concept of writing for the ear in a conversational, easy-to-understand manner so that anyone who heard it only once could remember it. Print users could read and re-read a story for as long as they wanted to. Listeners only heard the news once and had to absorb the information quickly. Complicated sentences or concepts didn’t work.

Newsreels were the model for a visual presentation and the first TV cameramen practically all came from the theatrical newsreels, which were quickly being replaced by the new television medium. The problem was newsreels were expensive and time-consuming to produce and seldom if ever employed for breaking news – the life blood of TV news. When newsreels were not preoccupied with military stories (during wartime), they specialized in fluff: staged events, celebrity weddings, movie premieres, beauty contests, ship launches, animals doing silly things.

Many of the early television program formats were based on network radio shows and did not take advantage of the potential offered by the new medium. Newscasters simply read the news as they would have during a radio broadcast. Most of the time, the only visual was the newscaster reading on camera. Occasionally, there would be photos and limited video of news events.

Before the late 1950s and early 1960s, video TV cameras were too big and bulky to leave the sound stages. When cameras got smaller and lighter, television cameras moved into the local, county, state, and national communities and never looked back. Creating those smaller and lighter cameras was no easy feat. Broadcasters need equipment that is extremely rugged and versatile, can shoot in very low light and can handle wide temperature swings, day in and day out.

Today, one person with a camcorder or smartphone can write, direct, shoot and edit a video by deadline. Smartphone cameras have turned every citizen into a roving video reporter. But 60 years ago, a camcorder or smartphone didn’t exist, and only futurists dreamed of such a possibility.

In the middle of the 20th century, network news was something that great numbers of Americans relied upon and could share. It gave them a common set of facts upon which they could have discussions and debates.

Television brought major news events into the home, creating unforgettable moments that the public watched as one nation.

Television news was in its infancy when on April 8, 1949, Kathy Fiscus, a three-year-old girl in San Marino, CA, fell into an abandoned well. The way local stations covered the rescue effort became the blueprint for breaking news coverage that continues today. Until then, TV news was little more than “radio with a face.” Then came the 50-hour effort to rescue the child, 27 and a half hours of rescue efforts televised live by station KTLA in Los Angeles. There were few homes with television sets, so hundreds of people stood in front of store windows to watch the Fiscus rescue attempt on TV. 1

Television made an “instant family of the nation.” Several TV reporters were involved in the live coverage, but the most prominent was KTLA’s Stan Chambers, whose open-ended, uninterrupted reports from the scene captured everyone’s attention. Until then, TV was considered a novelty and not taken seriously. The telecast changed that forever.

When the devastating news came that Kathy had died, the exhausted rescuers who had worked 50 straight hours openly wept. And a nation cried with them.

In 1963, when President John F. Kennedy was assassinated, the four days of continuous coverage from Dallas – where he was assassinated – and Arlington – where he was laid to rest – proved that television was the only thing that mattered during a natural or man-made disaster.

Later, the captured-live-on-television shooting of Lee Harvey Oswald by Jack Ruby created the “grisliest first of this new era of TV news.” Millions of Americans watched a murder happen live as they sat in their living rooms. 2 NBC was the only network to broadcast the live coverage, getting a scoop on an unforgettable moment of American history.

NBC devoted almost 72 straight hours to the assassination and its aftermath. “The immediacy of live television and the ability to learn of breaking-at-this-minute news was something that had never been experienced by Americans before – and something which pushed radio and television news reporting to new heights,” wrote one historian. 3 An unbelievable 93 percent of American households with televisions were tuned in to watch the live coverage of the President’s funeral procession.

Vietnam was the first war covered by television, and its impact was staggering. A seminal moment in that coverage came in 1965 when reporter Morley Safer reported on U.S. Marines burning the village of Cam Ne, a turning point in TV’s realistic coverage of a war. For the first time in American history, the news from the front lines was brought straight into the living room, and historians called Vietnam “the first television war.” 4

The 1969 landing on the moon of American astronauts Neil Armstrong and Buzz Aldrin in Apollo 11 was watched by more than 700 million who marveled at the astounding, live images they were seeing. 5

The SLA Shootout in May 1974 was one of the most intense firefights in Los Angeles Police Department history. The Symbionese Liberation Army (SLA) was a radical group that had kidnapped newspaper heiress Patty Hearst and had gone on a robbery, bombing, and murder spree. “The gruesome drama of a real police story played open‐ended on live television for nearly two hours,” wrote a New York Times reporter. “A portable camera of Channel Two KNXT, a local CBS television station, brought the shootout with suspected SLA members in south central Los Angeles into millions of homes. KNXT shared its camera with the NBC and ABC Los Angeles stations, and the evening news was devoted to the siege. Network news programs were canceled and the coverage of the shootout, live and in color, went into living rooms across the country. “The chaos and vividness of a major police operation, viewed incongruously from living rooms, was bizarre. Viewers were able to experience all the action vicariously as they heard Bill Diaz and Bob Simpson, the KNXT reporters, describe how it felt to inhale tear gas and dodge bullets. At one point, the television picture scrambled as viewers heard the reporters relate how they had just recoiled when bullets ricocheted past them.” 6

The term ENG (Electronic Newsgathering or electronic journalism) was created by TV news departments who moved from film-based newsgathering to electronic field technology in the 1970s. It involved a single reporter with one video camera to an entire TV crew in a truck on location.

In 1986, the glory of America’s space program “turned into unfathomable heartbreak” when the Challenger shuttle exploded and broke apart 73 seconds into its flight, killing seven crew members including schoolteacher Christa McAuliffe. And millions watched it live. 7

The rescue of Baby Jessica in 1987 reminded viewers of the Kathy Fiscus tragedy, but this time the result was triumphant. The successful 58-hour effort to save trapped Texas toddler Jessica McClure from a backyard well was a defining moment for CNN as viewers tuned in for the around-the-clock cable news channel updates. 8

The from-behind-enemy-lines reporting of the Gulf War in 1991 by CNN’s Bernard Shaw, Peter Arnett, and John Holliman as bombs fell over Baghdad marked the beginning of live-TV war coverage. 9

TV cameras in the courtroom caught every minute of the stunning climax of the O.J. Simpson trial in 1995. The jury found the ex-football star accused of murder not guilty. Earlier, in 1994, the live coverage of a 45-minute slow-speed chase with a phalanx of police cars chasing Simpson’s white Bronco over California highways near Los Angeles was seen by 95 million viewers. 10

On September 11, 2001, two hijacked Boeing 767s slammed into the World Trade Center in New York City, and the horrific footage shocked a nation. TV reporters helped steady shaken viewers during the continuous coverage, but off camera they were weeping, too. It was one of the darkest moments in American history . 11

The coverage of news was changed forever when TV technically achieved the ability to cover the news live as it was happening. The internet has mostly replaced the excitement and immediacy of the live television news coverage on TV sets in the home that has dominated the news since the 1970s.

Smartphones and laptops are filled with live coverage from a variety of sources: professional newsgathering services, citizen journalists armed with smartphone and digital video recorders, special-interest videos that often send mis- or dis-information through video manipulation.

But when a human-made or natural disaster takes place, TV is still the one unifying video and audio medium that dominates a nation’s thinking. We still huddle as one when a live event takes place that is beamed into our homes uncensored, unedited, and filled with the excitement that only a live news event can deliver to all of us.

About the author: Joe Saltzman is a professor of journalism and communication, and director of the Image of the Journalist in Popular Culture (IJPC), a project of the Norman Lear Center, Annenberg School for Communication and Journalism, University of Southern California. Saltzman was a senior documentary producer for the CBS owned-and-operated stations for more than a decade in the 1960s and 1970s and has taught at USC Annenberg for 55 years.

Featured photo : Kathy Fiscus

1. Terry Anzur, Inventing TV News: Live and Local in Los Angeles, 2022.

2. https://flashbackdallas.com/2018/11/22/the-jfk-assassination-and-television-firsts-1963/

4. https://prologue.blogs.archives.gov/2018/01/25/vietnam-the-first-television-war/

5. https://www.scienceandmediamuseum.org.uk/objects-and-stories/moon-to-living-room-apollo-11-broadcast

6. https://www.nytimes.com/1974/05/18/archives/shootout-a-gruesome-drama-on-los-angeles-tv.html

7. Gunnar Matherly, The Challenger Disaster , History 153, August 19, 2015.

8. https://www.cnn.com/2021/07/30/opinions/baby-jessica-cnn-films-shorts-mark-bone-opinion/index.html

9. Barbie Zelizer, CNN, the Gulf War, and Journalistic Practice, Journal of Communication, Vol. 42, Issue 1, March, 1992. Pp. 66-82

10. https://www.latimes.com/local/lanow/la-me-ln-oj-simpson-white-bronco-chase-20140617-story.html

https://www.nytimes.com/1994/11/08/us/judge-in-simpson-trial-allows-tv-camera-in-courtroom.html

11. Menahem Blondheim & Tamar Liebes, Live Television’s Disaster Marathon of September 11 and its Subversive Potential, Critical Studies in Innovation, Vol. 20, Issue 3, August 2010, pp. 271-276.

Essay on Television Impact

Students are often asked to write an essay on Television Impact in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Television Impact

Effects of television.

Television has become an integral part of modern life. It has the power to inform, entertain, and even educate. While television can be a positive force in our lives, it can also have negative consequences.

Positive Impacts

One of the positive impacts of television is that it can keep us informed about current events. News programs, documentaries, and talk shows can provide us with information about what is happening in the world around us. Television can also be a source of entertainment. Comedies, dramas, and reality shows can provide us with a way to relax and escape from the stresses of everyday life.

Negative Impacts

However, television can also have negative consequences. One of the biggest concerns is that television can lead to obesity and other health problems. Studies have shown that people who watch a lot of television are more likely to be overweight or obese. Television can also be addictive. People who spend a lot of time watching television may find it difficult to tear themselves away from the screen, even when they know they should be doing something else.

In conclusion, television can have both positive and negative impacts on our lives. It is important to be aware of both the benefits and the risks of television so that we can make informed choices about how we use it.

250 Words Essay on Television Impact

Television impact on entertainment, television impact on education.

Television can also be used as a tool for education. There are many educational channels that offer programs on various subjects, such as science, history, and math. These programs can be a great way for children to learn new things and supplement their schoolwork.

Television Impact on Health and Fitness

Television can promote health-related information and encourage people to live healthy lives. Television programs can provide tips on healthy eating, exercising, and managing stress. Some channels are dedicated to fitness and health, offering a variety of workout programs and healthy recipes.

Television Impact on Social and Political Views

Television can influence people’s social and political views. The way in which news and current events are presented can shape public opinion. Documentaries and talk shows can also influence how people think about different social and political issues.

Television is a powerful medium that has a significant impact on society. It can educate, entertain, and inform. It can also influence people’s social and political views. Therefore, it is important to be aware of the positive and negative effects of television and to use it wisely.

500 Words Essay on Television Impact

Television: its impact on society.

Television is a powerful medium of communication that has permeated almost every household. However, the effects of television on society are still a subject of debate. While it offers educational and entertainment benefits, the potential negative impacts are undeniable.

Positive Effects of Television

Educational Value: Educational programs can provide valuable knowledge and lessons. Nature documentaries and historical dramas can expose viewers to topics they might not encounter otherwise. Even entertainment shows can convey underlying messages and raise awareness about important issues.

Entertainment and Relaxation: Television provides a source of entertainment and relaxation after a long day or during leisure time. It offers a wide variety of shows, including comedies, dramas, reality shows, and sports, that cater to diverse tastes. Watching television can help alleviate stress and provide a sense of escapism.

News and Information: Television keeps people informed about current events and allows them to stay connected with the world. News programs and documentaries provide information on political, economic, and social issues, enabling viewers to form opinions and engage in discussions.

Negative Effects of Television

Unrealistic Portrayals: The media can often portray unrealistic standards of beauty, body image, and lifestyle, which can lead to body dissatisfaction, low self-esteem, and eating disorders. Exposure to violence and negative content can also desensitize viewers and contribute to aggressive behavior.

Advertising: Television commercials bombard viewers with messages that promote consumerism and materialism. While advertising can provide information about products and services, it can also manipulate consumers into making impulsive purchases and create a sense of dissatisfaction with what they have.

If you’re looking for more, here are essays on other interesting topics:

Apart from these, you can look at all the essays by clicking here .

Writing for Television — Format, Genre and Structure

W ith new streaming platforms emerging every year and binge watching becoming an art form, the television industry needs more writers than ever. Unfortunately, there is also more competition than ever. Breaking into the TV industry can be tough, but here are the fundamentals you need to know about becoming a television show writer as well as some actionable tips that will help you get that much closer to writing for television.

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Television script writing

Writing for television vs. film.

Although feature film screenplays and television screenplays have many similarities such as scene headings , formatting techniques , dialogue, and character descriptions there are many differences between writing for television and writing for film. To understand the differences, it's first important to understand how a TV show gets made. This Vox video conveniently breaks down the TV making process.

Understanding writing for television

1. Script Length: Most obviously, writing for television involves much shorter scripts than writing for features. The run time of a television show ranges from 30 minutes to 60 minutes while a feature film is at least 90 minutes long resulting in the difference in script length.

2. Story Engine: Feature films are meant to be resolved by the end of the film. Television shows, on the other hand, are meant to last multiple seasons. This means that writing for television is dependent on creating different driving forces than a film.

Films that last a whopping six to nine seasons are often very character driven, relying more on the audience's investment in the characters rather than the plot points themself.

Writing for television: Character and Develop Their Arc • Subscribe on YouTube

TV shows often have multiple central characters that move the show forward unlike features that typically have a single central protagonist. TV shows utilize multiple story lines otherwise known as A, B, and C story lines.

3. Structure: Because both the length and engine of a television show both differ from that of a film, the structure of a television show also differs. Writing for television aims to retain the audience's attention and set up following episodes.

4. Lack of immediate resolution: The episodic format of a television show means that each central narrative lasts over the course of multiple episodes or even seasons. For that reason, TV shows do not need to tie a neat bow on every episode with a resolution unlike a film.

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How to write for tv

Television script structure.

In the past, writing for television has been formulaic across the board to fit the form of weekly episode releases. With the advent of streaming services and the phenomenon of binge watching, nearly every story structure is possible to achieve through television.

Some TV series have even been described as ten-hour movies broken into episodes. Other TV series still follow the traditional sitcom format. No matter what, understanding the story structure that best serves your story is important.

Among the best television series in history is Breaking Bad pilot script which uses a common four act structure. Check out this breakdown of the structure of Breaking Bad in this video from Lessons from the Screenplay.

Breaking Bad • Writing for television pilots

Next time you watch a great TV pilot, take note of how this structure applies. This will help you structure your TV show in similar ways that best serve the story. Once you understand the mechanisms of your show’s structure, you will need to create the necessary materials to pitch your TV show.

TV show writing format

Tv script format.

Structure also entails understanding how to format a script. Before you send out any script whether it is a spec or a pilot, you must make sure it follows standard script format. This will make it easier to read, more engaging, and more professional.

To better understand TV script format and writing for television professionally, check out our formatting video below. We dive into everything from scene headers to slug lines to dialogue. Of course, when you use dedicated screenwriting software like StudioBinder, the formatting is done automatically.

How to Format a Screenplay: Writing for television • Subscribe on YouTube

Learning how to write for TV means understanding both story and TV script format. Understanding various formatting techniques such as parentheticals and slug lines will add to your repertoire of TV screenwriting tools. This will effectively make you a better television writer.

TV Writing and Pitching

Components of a tv show pitch.

There is fundamental advice when it comes to learning how to pitch a TV show , but the quintessential tip is to be prepared . This means that you know your TV show inside and out and have materials that prove it and communicate it clearly.

1. Treatment

A story treatment helps get your concept or show in front of more readers. Television show concepts can be large and complex. Distilling your idea into a simpler, more condensed treatment will increase your chances that someone will read about your show.

How to Write a TV Show Treatment • Subscribe on YouTube

Treatments will help get your foot in the door. But when someone bites onto a treatment, it’s important to be prepared to have a full pilot script ready.

2. Pilot Script

Your pilot script is a huge determining factor to the success of your TV show idea. It conveys the story, your TV screenwriting style, and should prove the potential for future episodes. The pilot is the foundational building block for the entire show. So how do you write a great one? Check out our video breakdown that analyzes the Breaking Bad pilot and what made it successful.

How to Write a TV Show Pilot Script That Sells • Subscribe on YouTube

Finally, you need to be able to clearly and effectively pitch the concept of your show to TV executives when you’re not even in the room. This is where the show bible comes in.

3. Show Bible

Show bibles are used to present to TV and digital executives in order to get a show commissioned or picked-up for distribution. They should break down the entire concept of a show in a clear way. Learning how to make a TV show bible is a lot easier than you might think as long as you have fleshed out the idea of your show well enough.

How to Make a TV Show Bible • Subscribe on YouTube

TV show bibles should allow executives, writers, and readers to understand the concept of a show without you having to explain everything to them.

If you do get into a room to pitch your show, there are a few other tips that will help you beyond the materials you bring. Your presence and how you pitch are incredibly important to your pitch’s success. Here are a few do’s and don’ts when it comes to pitching a TV show idea .

How to write for TV: Pitching • Subscribe on YouTube

Now that you understand the necessary information of TV screenwriting, it's time to learn about the actionable steps you can take to get you that much closer to a career in TV writing.

How to Write for TV: Loglines →
How to Pitch a TV Show Like a Pro →
Get Started and Write Your Television Pilot Today →

How to write for TV

Tips to break into the tv industry.

Screenwriting for television and preparing a pitch does not happen overnight. In fact, it might take a lot of nights. But there are things you can do that will move your forward in your TV writing career outside of writing your own show.

1. Do your TV homework

Being well versed on television is the best way to learn about your craft. Keeping up to date with trending television series as well as watching classic television shows and dissecting how and why they work will help you better understand the mechanisms of a television show.

2. Write everyday

To get better at screenwriting for television, the only way to get better at your craft is to write. Whether it's writing your pilot, writing a treatment, or writing in a journal. Writing everyday will exercise the creative muscles you will need in the television industry where turn around times are fast and bright ideas need to appear out of thin air.

3. Write a spec

A spec script is written independent of any production entity with the intention to showcase your ability as a writer. Spec scripts can lead to the purchase of the script or even future assignments as a writer. Learning how to write a spec script is useful for anyone trying to break into the TV industry. It will also educate you on how to write for TV based on a pre-existing show.

4. Move to Los Angeles

This may not be news, but it is worth reiterating. A majority of production companies for both film and television as well as the writing jobs. Getting out there will give you a better chance at our next tip. Screenwriting for television involves a lot of our next tip — networking. And being in the hub of television is a great way to network.

Of course it's not all about who you know, but it certainly has a big impact. Rubbing shoulders with those already in the television industry as well as those in your shoes trying to break in will help open up doors to present and future opportunities.

6. Get a writer’s assistant job

Getting a job as an assistant to a television writer will help you get your foot in the door of the industry while also learning from those already working in it. It will also help you build relationships that will work in your favor.

7. Enter writing contests

There are plenty of writing contests out there with some heavy competition. While the odds may not work in your favor, someone does win. At the very worst writing for these competitions is great practice for any aspiring screenwriter to learn how to write for TV.

8. Have a positive attitude

In the world of film, people often work with each other for long hours and even longer months or even years. Being someone with a genuinely positive attitude will make you someone people want to work with which helps your odds at finding TV writing work.

How to Write a TV Treatment

Do you already have an idea for a television show, but have yet to flesh it out or put it on paper? Get started by creating a treatment. A treatment is a great way to determine whether your idea has legs to be a full blown television series.

Up Next: How to Write a TV Treatment →

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Essay on Television

500+ words essay on television.

Television has become a crucial part of our lives now. It not only impacts our social life but also our educational life. Just as newspapers and computers are significant modes of communication, Television also counts as one. With a television, you can connect to the world outside. Moreover, it is also important in influencing our personal and public lives. However, with the benefits, there are also some disadvantages. Thus, it must be consumed within a limit. This television essay will elaborate on the same points.

Importance of Television

Television is definitely one of the most important electronic devices with a screen. It helps us in receiving information. Further, we also get entertained by it and get rid of boredom.

Most importantly, it plays a significant role in distributing news and information. News channels are a great source of information about the current happenings in the world. Similarly, television programs also teach us a lot of things.

For instance, we learn about the rich civilizations and historical sketches via historical channels. Similarly, when we are alone, it acts as a great source of entertainment. In addition, we also get to learn about many cooking recipes.

Television helps us raise the capacity of our minds. You can learn a trick or two from it to solve your daily problems. It also instils creativity in people. Further, watching information channels equip us with facts and concepts.

There are also motivation programs on television. They serve as inspiration for many to achieve success in a number of fields. Apart from that, we also get laughter therapy from television.

Watching comedy shows and movies allow us to laugh freely. On the other hand, people who are religious and spiritual also benefit from it. They get access to spiritual and religious messages to nourish their souls.

Get the huge list of more than 500 Essay Topics and Ideas

Television Essay- Why You Must Limit the Time

As the younger generations are growing up with electronics, it has become important to limit their time with these gadgets. You see all the time they are glued to phone screens or television.

It is no less than a nightmare for parents as it harms their brains. When you get used to watching the glowing screens constantly, nothing will interest you. Moreover, parents also allow their children to stare at the screens blankly to get entertainment.

This takes away their time of playing outside or spending time with their loved ones. When the children will play outside or mingle with others, they will be able to develop their social skills, gross motor skills and language.

Watching television only will not help them do that. Therefore, it is important to limit the time of television watching especially for children. This can help them greatly in the long run and give them a better life.

To conclude the television essay, while television has numerous benefits, it also comes with its fair share of disadvantages. Thus, we must ensure that our children create the perfect balance between watching TV and doing other things. This way, they can get the best of both worlds.

FAQ of Essay on Television

Question 1: Why is television important?

Answer 1: Television is a great source of entertainment. Moreover, it also provides us with valuable information about the world. It also helps us stay in touch with the outside world.

Question 2: Why should we limit the time of television?

Answer 2: It is essential to do that especially for children so they can develop their social skills and gross motor skills better. Watching too much television will also hamper their eyesight. Thus, it must be consumed within a limit.

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Will We Have to Pump the Great Lakes to California to Feed the Nation?

Credit... Alma Haser

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By Jay Famiglietti

Dr. Famiglietti is a professor at Arizona State University and the director of science for the Arizona Water Innovation Initiative.

Aug. 5, 2024

This essay is part of What to Eat on a Burning Planet, a series exploring bold ideas to secure our food supply. Read more about this project in a note from Eliza Barclay, Opinion’s climate editor.

Driving north through California’s Tejon Pass on Interstate 5, you spill down out of the mountains onto a breathtaking expanse of farm fields like few others in the world. Rows of almond, pistachio and citrus trees stretch as far as the eye can see, dotted by fields of grapes. Truckloads of produce zoom by, heading for markets around the country.

The Central Valley of California supplies a quarter of the food on the nation’s dinner tables. But beneath this image of plenty and abundance, a crisis is brewing — an invisible one, under our feet — and it is not limited to California.

Coast to coast, our food producing regions, especially those stretching from the southern Great Plains across the sunny, dry Southwest, rely heavily and sometimes exclusively on groundwater for irrigation. And it’s disappearing — fast.

What happens to the nation’s food production if the groundwater runs out altogether? Unless we act now, we could soon reach a point where water must be piped from the wetter parts of the country, such as the Great Lakes, to drier, sunnier regions where the bulk of the nation’s food is produced. No one wants unsightly pipelines snaking across the country, draining Lake Michigan to feed the citrus groves of the Central Valley. But that future is drawing closer by the day, and at some point, we may look back on this moment and wish we’d acted differently.

For over a century, America’s farmers have overpumped groundwater, and now, as the world warms and the Southwest becomes drier, the situation is only growing more dire. Rivers are slowing to a trickle, water tables are falling, land is sinking, and wells are drying up. Each year, roughly 25,000 more farmers fallow their fields, putting both food and water security in the United States at risk.

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How Stephen Curry Got a Sitcom: Adam Pally and Ego Nwodim Talk ‘Mr. Throwback,’ Peacock’s Mockumentary Series About Defrauding an NBA Star

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Regular television broadcasts began in the late 1930s, with the BBC launching the world's first public television service in 1936. Impact of World War II (1940s): Resource constraints temporarily slowed Television production and adoption during World War II. After the war, television experienced rapid growth as economies recovered and ...
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Essay on the Television: 200 Words. No other thing is as familiar as Television in our present times. It was invented by John Baird in 1925. It first appeared in India in 1959. It is really a wonder of science today. It is a two-in-one. It is the radio on one side and the cinema on the other. Television is a very useful instrument in many ways.
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Television Production Essay. Words: 6971. Pages: 28. Open Document. ABSTRACT Television has been an excellent medium for entertainment and information ever since the invention of the electron scanning tube in 1923 by Vladimir Kosma Zworykin, who is considered the father of the modern television. With the conversion to digital format 1080i in ...
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